Considering Non-anthropocentric Music
essay
Solitude Journal 5: A Sound Was Heard!, 2024
F105_165
score contribution to Patrizia Bach's TOMIKO Archiv project
Weserburg Museum für moderne Kunst, 2024
The Free Air - Robert Blatt
C84 cassette tape and book
Andromache Records, 2023
Extradition Plays Philip Corner
album of music by Philip Corner for which I perform on six works
Extradition, 2023
An Evening of Speculative Pragmatism
Mike Richard, Mark So, and Robert Blatt [Live At The Clinton Street Theater. Portland, OR. May 14, 2023]
Demian, 2023
Works on Paper: Experiments in Language and Sound
a series of performances, installations, readings, lectures, and walks
Passages Bookshop, 2023
Robert Blatt – Music for Three Cymbals (2004/20)
performance by Extradition Ensemble
Extradition, 2022
A Year of Deep Listening
online text score publication project in celebration of Pauline Oliveros including my score intimacy
The Center for Deep Listening, 2022
PIY Scores – active home entertainment for the curious
online exhibition of scores for the home including my score gnomons
iii w/ Lars Kynde and Maya Verlaak, 2020
Robert Blatt: roads are made for horses and men of business
video and audio from my performance/exhibition at Washington Street Art Center, Somerville, MA
The Co-Incidence Festival, 2020
Small Projects for Coming Communities
exhibition project with online score archive including my score empathy
Dorothee Richter and Ronald Kolb, 2019
What is a Score? – It’s a Flux
interview/studio visit conducted by Denise Helene Sumi
Schlosspost, 2019
LIMINAL/ADRIFT
website archive from 4-month performance project
Inlets Foundation for Experimental Practices, 2018
experiments in the periphery
website archive with Mark So and Jorge Gomez Abrante
Inlets Foundation for Experimental Practices, 2017
In Experiments on the Periphery, Miami and Its Locals Create the Music
article by Taylor Estape about the above project
Miami New Times, 2017
What is a Composer?
podcast series by Patrick Ellis
2017
BEACH BUMS
a paperback book for the beach
Much Too Much Noise, 2016
audio-DH
USB credit card and online streaming/download, with Acid Police
iii editions w/ Francisco López, 2016
All Together Now
video documentation w/ score, performed by Michael Baldwin and others
WEISSLICH, 2015
Better Know A Weisslich: Robert Blatt
article by David Pocknee
WEISSLICH, 2015
ROCK PAPER SCISSORS
website archive from 3-week concert series
Inlets Foundation for Experimental Practices, 2015
Ondertussen: The New Fordist Manifesto
exhibition website
Stroom Den Haag, 2015
Inlets Foundation for Experimental Practices
experimental music project/organization/ensemble, cofounder
2014-18
An Edward Snowden Statue, Slow Dancing with Strangers, and More Art in Odd Places
article by Allison Meier
Hyperallergic, 2014
Human Mixers
work by Yun Lee for which my text The Cocktail Party Effect was written
iii, 2014
THE NEW FORDIST MANIFESTO
residency report from a project at GEMAK
The Institute of Applied Cultural Economics and Sociology, 2014
Elements
sound installation
Jack Straw Cultural Center, 2013
Conditioned
Pavlovian subject in work by David Pocknee
GEMAK, 2013
Between Jailbait And The Dead
internet-video-searcher in work by David Pocknee
DUWO House of Music, 2013
Text Score A Day
twitter project and online calendar
2012-13
Our Century 21
album documenting a site-specific performance with John Teske and Jérémy Jolley
2012
SYNZINE#3:ALMOSTNONOTES
chapbook of scores including an early version of my score 47 Tucanae
SYNPROJECT, 2012
Eavesdropping: The Indiscretions of the Ear
exhibition document with binaural audio and book, with Acid Police Noise Ensemble
Neural, 2011
WONDERWERP
album documenting the concert series including my work Glossolalia performed with Marie Guilleray
Audition Records, 2011
Extraordinary Renditions
a "covers album", with Acid Police
Zeromoon, 2011
Drink a Beer
beer drinker in work by Maya Verlaak
Royal Conservatory, 2010
Acid Police Noise Ensemble
experimental music and performance art collective, cofounder
2010-13
Unused Lexical Variable
album of early graphic scores and collective work with Jérémy Jolley and John Teske
2008